Documentaries

For 40 years, James Benning has been a singular, defiant voice in the American independent film scene. This 2-disc set the first in a planned series devoted to the filmmaker's oeuvre features two of Benning's seminal works from the mid-1980s for the first time ever on DVD: American Dreams (lost and found) is the filmmaker's personal take on the history of the USA from 1954 to 1976, told through a complex and thought provoking amalgamation of image, text and sound. In Landscape Suicide, he effortlessly strides the boundaries of narrative and documentary forms as he recounts two infamous murder cases that took place almost 30 years apart.

Walther Ruttmann is a pioneer of modern multimaedia art. His first short films are unique experiments with forms, rhythm and colors, his innovative commercials connected abstract animation art with concrete messages. The symphonic documentary Berlin, die Sinfonie der Großstadt is one of the most famous silent cassics, the travelogue Melodie der Welt became the first German sound feature film. With the radio play Weekend Ruttmann created the first "sound film without images" while his sound short In der Nacht transforms music to images and is a prototype of modern music videos. The 2-disc DVD combines for the first time all surviving works by Walther Ruttmann from 1920-1931 in newly restored and reconstructed versions, often with original scores. It also includes lobby cards, posters, programs and text documents as well as little known paintings and drawings by Ruttmann.

Produced at the junction of two millennia, the California Trilogy is James Benning's three-part topographical study of America's "Golden State". Looking to the past while investigating the present, the mathematician-turned-filmmaker condenses three distinct Californian landscapes into a total of 105 shots, each exactly 2½ minutes long. Formal restraint and compositional precision combine with ambient sound and an unheard social commentary to create a hypnotic journey across the 31st US State; from the Great Central Valley (El Valley Centro) through greater Los Angeles (Los) to the Californian wilderness (Sogobi). This 2-disc set presents the complete California Trilogy for the first time ever on DVD.

In casting a glance one artist pays tribute to another as James Benning offers his filmic paean to Robert Smithson's legendary "earthwork" sculpture, the Spiral Jetty. With RR, his homage to the American railroad, the filmmaker brings an era to its close by going back to cinema's roots. Shot back-to-back over a period of two years, these works marked James Benning's farewell to analogue filmmaking and together constitute the profound "last words" on the film medium by one of its most singular innovators. This 2-disc set presents both films together with rare audio interviews in which Benning recounts the experience of making his "last" films and gives unique insight into his creative methods.

2-disc DVD about the origins of the cinema. Dogs playing the pianos, contortionists defying the pain limits, handcoloured serpentine dances: attractions and sensations characterize the travelling cinema of the fairgrounds in the beginning of the 20th century. Rarities from the trasure chests of the European film archives ranging from Danish anarchistic slapstick and Scottish X-ray films to French erotic piquancies and a wild chase through Brussels caused by a leopard. Local films from the region Luxembourg, Trier and Saarbrücken resent a forgotten genre which was, in its days, another crowd puller in travelling cinema: Filmed local events and scenes depicting the local people who would then pay to see themselves in "living photographs" on the big screen.

Four documentary filmmakers, four talks, four key players of the German documentary film movement since the 60s: Hans-Dieter Grabe, Elfi Mikesch, Harun Farocki und Thomas Heise. Each of them has developed an own approach to filmmaking and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. Illustrated with excerpts from their films.

Four documentary filmmaker, four talks, four key players of the German documentary film movement since the 60s: Jürgen Böttcher, Volker Koepp, Peter Nestler und Klaus Wildenhahn. Each of them has developed an own approach and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. The intimate talks with the filmmakers are illustrated with clips of their films.

The Georgian-born filmmaker Michail Kalatozov (19031973) is best remembered for directing some of the most innovative and successful Soviet films of the 1950s and 1960s. This DVD presents digitally restored versions of two of his lesser-known, early works, which were highly controversial in their time but now rank among the finest achievements in Soviet silent cinema. SALT FOR SVANETIA is an austere depiction of peasant life in the inhospitable terrain of the Caucasus Mountains. NAIL IN THE BOOT, a biting parable of wartime irresponsibility, chillingly prefigures the later Stalinist purge trials. Günter Buchwald's and Stephen Horne's prize-winning scores and the experimental accompaniment by Masha Khotimshi underline the poetic and expressive visual style of these exceptional masterpieces.

Chittagong in Southern Bangladesh a graveyard for the West's run-down or obsolete ships, massive vessels driven onto the beaches and left to be taken apart by hand using only the most basic tools. Poor farmers escaping the regular famine in the north of the country travel south to get work. Barefoot and with no masks or safety equipment, they work in the yards under incredibly dangerous conditions. The award-winning documentary features beautiful footage of the monolithic ship-yards and describes a systematic exploitation, which only very few of the workers can escape.

Since 1920 artist, photographer, and filmmaker Ella Bergmann-Michel lived and worked at the "Schmelz", an old paint mill near Frankfurt on Main. With guests such as Kurt Schwitters and László Moholy-Nagy the house became an important locale for modern artists. Between 1931 and 1933 she made five documentary films that constitute a rare example of socially involved and equally artistic film. The DVD contains these five films, a documentary film about the artist and a comprehensive booklet with essays on Ella Bergmann-Michel's films.

This epic documentary subtly introduces the complex world view of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka's radical and pioneering body of films is a highly condensed work of about an hour focussing on the essence of cinema, his legendary lectures often unfold over many hours. These lectures on "what is cinema" and "cooking as an art form" are frequently illuminated by the presentation of archaeological objects from Kubelka's eclectic collection. He considers his ongoing collecting to be an expanded film practice which explores the evolution of humanity. Martina Kudláček has carefully woven an open-ended portrait which goes beyond the biographical to reveal fresh insights into the phenomenon of film.

With films including the 'rubble woman' portrait Martha, the three-part experimental film cycle Potter's Stier, Venus nach Giorgione and Frau am Klavichord, the portrait of the artist Kurzer Besuch bei Hermann Glöckner, and also the documentaries Rangierer and Die Küche, noted for their outstanding sound and visuals, Jürgen Böttcher distances himself yet further from the didactic tone and abstract heroic representation of socialist films. In Georgien is the only full-length film that Böttcher was able to shoot on location outside of the GDR.

MGM-tycoon Louis B. Mayer called Hedy Lamarr "the most beautiful girl of the century." A psychological portrait of glamour star Hedy Lamarr who became scandalously famous in 1933 as the first nude on the screen with her appearance in the Austrian/Czech film Ecstasy. She then had an extraordinary career in more than 25 Hollywood films. Don't forget her historic patent for a torpedo guided system from 1942 which serves today as the basis for mobile phones. The documentary contains interviews with Mickey Rooney, Lupita Kohner, Kenneth Anger and many other personal friends of Hedy. Besides, the 2-disc DVD offers Hedy Lamarr's legendary scandal film Ekstase in an uncut version.

Michael Pilz's Heaven and Earth is an epic documentary in two parts about life in the Styrian mountain village of St. Anna. The film is a documentary in the best sense of the word - a meditation on time, on nature and the struggles of man, as well as a record of a lifestyle ceasing to exist. "If you let it happen, the film will pull you into its cosmos; it is one of those works that teaches you to see and listen again." (Ulrich Gregor, 1983)

High on Work: We have left a heroic and post-heroic industrial age behind us. Farewell to an era when work was still abundant. Yet the adage still holds: Only work makes life real (Marx). The turbulent zones of globalization, in the cafeteria of Brecht's Theater, Helge Schneider as an unemployed woman in Spain, "working to pieces" in the concentration camps. Farewell to the safe side of life: Experiences with core activities of our time, for example skyscrapers or Chernobyl. Experts from the fire department and paramedics, engineers, and scientists tell their stories. With Durs Grünbein, Peter Berling, Igor Kostin, Victor Popov, Nikolai Tarakanov, Igor Jassenjawski, Rosemarie Tietze, and Oxana Pentak.

Journey to Justice tells the story of Howard Triest, a German Jew who fled Nazi Germany in 1939 when he was 16-years old, returned as an American soldier and then served as an interpreter during the Nuremberg Trial. He came face-to-face with imprisoned Nazi leaders who were co-responsible for the death of six million Jews, including Howard's parents at Auschwitz. In 1947 he bought a 16mm camera and filmed the ruins of Munich. This unique document is as bonus material on the DVD in its complete version. Parts of it are embedded in the actual film which tells the story from the viewpoint of 83 year old Howard Triest who is returning to Germany with his son Brent to visit the places of his past.

War and Peace: At the peak of the Cold War, the short-range missile crisis, neutron bombs could have potentially annihilated Central Europe. 300,000 protesters in Bonn. German Chancellor Schmidt resigns. Why make a film collage about war? "Nothing is more discouraging than not being able to see through a game on which your life hinges." The Candidate: Another film collage motivated by the election campaign for the German Bundestag in 1981, where Franz Josef Strauss sought the office of the chancellor. An institution in politics falters time and again because of the reality of the Federal Republic. "Getting to a place in the sun is not easy because once you are there, it has already set." The 2-disc DVD also offers two short films by Alexander Kluge, texts by Alexander Kluge and Oskar Negt and the unpublished screenplay "Eyes from a Different Country" which was never filmed.

War Is the End Of All Plans: War is characterized by the fact that it breaches all barriers. In his book, "On War", Carl von Clausewitz describes how war dreams of its own "omnipotence". Actually, it can never be omnipotent because it is full of all the probabilities we find in real life which continually disrupt its almighty power. In the end, it is just those probabilities which devour the power of war itself but which are as ill-suited to put an end to war as a peace agreement. Where We Come From, Where We Go To: Mankind has not been wiped out by wars and disasters ("against all odds") thanks to its ancient roots. It can be assumed that, without their knowing, human beings bear a treasure endowed upon them by evolution which protects them from demise (as a guardian angel would). Evolution, which begins in outer space, is too diverse to be sabotaged by the whims of the present.

"Images from the late 1980s in East Germany to the immediate present, 2008, in Germany. What remains besieges my head. In it, all these images come together again as something different from what they were originally intended to be. They remain in motion. They become history. The material remains incomplete. It is what I picked up, what remained important to me. My picture." (Thomas Heise) The DVD set also offers rare early works by Thomas Heise, unique and authentic images of everyday's life in the GDR, immediately banned in the GDR.

Two exceptional documentaries about Bernhard Kimmel, who was in the headline of German newspaper's in the 1950s because of spectacular robberies and burglaries. In 1961 he was sent to prison for 14 years, but released already in 1970. His attempt to live virtuously fails. During a burglary he kills a policeman and in 1982, he is sentenced to life imprisonment. Peter Fleischmann describes a life between Robin Hood fame and prison which also reflects a forgotten chapter of German postwar history.

A film editor's work is as essential as it is invisible. Its outcome, the finished film, is the result of weeks of concentrated labor. Frequently, in documentary filmmaking, the work's narrative structure is mainly shaped in the editing process. The editor functions as co-author, juggling and organizing the raw material at hand, and structuring the material according to principles of space and time, rhythm and composition. This extensively supplemented 2-disc DVD explores this process in a documentary feature by filmmaker Gabriele Voss, a film editor in her own right. Renowned editors, a brain researcher, as well as writer-director Alexander Kluge, talk about their work, oscillating between craft and art. Selected film clips illustrate the techniques and tricks that make up the magic of film montage.

With his "production films", from Ofenbauer, Stars, Der Sekretär and Ein Vertrauensmann to Wäscherinnen, Jürgen Böttcher emancipated himself from the conventions of Socialist Realism and placed the focus of his work inspired by Cinéma vérité and Direct Cinema on pure observation. The commissioned short films Im Pergamonmuseum and Tierparkfilm subversively tested the censors' tight restrictions. In 1977, Böttcher began his long-term collaboration with cinematographer Thomas Plenert, resulting in Im Lohmgrund.

The poetic travelogue A Sixth Part of the World and the "visual symphony" The Eleventh Year mark the beginning of Dziga Vertov's most creative period, which peaked in the canonical film Man with the Movie Camera. This 2-disc set presents the two rare masterpieces in a new transfer and with new soundtracks by British composer Michael Nyman. The bonus features offer materials on the methods of the filmmaker, as well as an introduction to the Vienna research project on Vertov, "Digital Formalism."

A sanatory in the south of Germany, a room with a view to the Bavarian Alpes. Talking to the camera: Thomas Harlan, author and filmmaker, adventurer, Nazi hunter. He talks, tells stories, reflects, interrupts himself. An imaginated film: a trip through Moscow, a meeting with Hitler, " language as a cathedrale", West-Germany's rehabilitation of war criminals, protest actions, the conflicts with his father Veit Harlan, the director of the notorious antisemitic propaganda film Jud Suess. The 2-disc DVD offers the 96 minute documentary Thomas Harlan - Wandersplitter plus 160 minutes with additional interviews with Thomas Harlan and clips from his films.

Next to the classic Man with a Movie Camera, his "film poem" to the founder of the Soviet Union, Three Songs of Lenin, is the most universally acclaimed and enduringly popular of all Dziga Vertov's films. This 2-disc set presents the earliest surviving versions of Three Songs of Lenin, the 1938 silent and sound reissues, previously unavailable on home video. Also included are the two Lenin-themed editions ofVertov's Kinopravda newsreel series as well as a feature-length TV documentary about Vertov by Austrian Film Museum co-founder Peter Konlechner.

Vom Reiche der sechs Punkte is an unusual silent film, produced far away from the film studios in Berlin and Munich. The story deals with a steel worker who looses the sight of his eyes and has to accept his fate. The film shows in unique documentary pictures the work and life in the homes for the blind in Cologne, Neuwied and Düren. The Filmmuseum Muenchen has restored the only surviving tinted and toned print of the film which was found in the collection of the Finnish Film Archive.

The American minimalist poet Robert Lax (1915-2000) was a companion of the painter Ad Reinhardt and the religious philosopher and monk Thomas Merton, who had a strong influence on the poets of the beat generation. After decades of a nomadic life between America and Europe he has lived withdrawn for 30 years on the Greek island of Patmos. The present film published on this DVD is the outcome of a long-standing friendship between Robert Lax and the filmmakers Nicolas Humbert and Werner Penzel: A visual poem with beautiful black-and-white photography, added by a short film showing Lax reading his poems and by photos shot by Nicolas Humbert in 1993-1999.

The 2-disc DVD set features all films by Katrin Seybold about the White Rose and the resistance against National Socialism in Munich: Unique documents about strong personalities.

An old man is kidnapped. His interrogation uncovers the biography of a mass muderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in Russia. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a burocratic muderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film.

In celebration of the 60th Anniversary of The Danish Film Institute / Archive & Cinematheque the first films donated to the Danish State are published on this DVD. The first film archive contains a total of seventy films showing Danish events and people of the period 1899-1913.

Over five decades, Jørgen Leth has created a cinematic oeuvre that is unique in all respects. In more than 40 films, Leth has maintained his experimental approach to the medium, exploring film as language, testing film's possibilities and limitations. Coming from a starting point in language-conscious modernist poetry, Leth has examined the world not only through language but through the film camera's lens, showing images combined with a singularly detached, descriptive tone all the while carried by an aesthetic and sensuous delight in images. The first volume of a DVD edition which covers all his films contains the anthropological films: The Perfect Human (1968), Life in Denmark (1972), Good and Evil(1975), Notes on Love (1989) and The Five Obstructions (2003). Also included in this DVD set is a booklet and extra notes on a new production entitled Tropical Mix.

The second box of the series "Jørgen Leth Collection" contains Leth's sports films, primarily emphasising the cycle film classics Stars and Water Carriers (1974), The Impossible Hour(1975), and A Sunday in Hell (1976). The director was tired of clichéd sports journalism and found "the inner psychological drama of the battles between great cyclists" more absorbing. The set also contains a documentary about the unique Basque ball gamePelota (1983) and two experimental films about the phenomenon of movement and speed Motion Picture (1970) and Chinese Ping Pong (1972), a coversation with Jørgen Leth and a 40 page booklet about the films.

15 unknown short non-fiction films from 1905-1926 preserved and digitalized by the Technical College for Technology and Economics in Berlin (Fachhochschule für Technik und Wirtschaft) in co-operation with the German Bundesarchiv-Filmarchiv in Berlin/Koblenz, the Cinema Museum in London, and the Nederlands Filmmuseum in Amsterdam. The DVD offers different ways of access: a journey through time and travel destinations on a map of Europe provide a chronological and geographical orientation for the user. In addition three thematic essays Travel, Labour and Posing for the camera show the diversity of early nonfiction and suggest three of the many ways of looking at these films. A short videofilm How moving images survived gives an introduction to film preservation and restoration.